
San Pedro La Laguna, Guatemala, 1982
Lives and works in San Pedro La Laguna, Guatemala
Originally from the Maya Tz’utujil people, his artistic work encompasses various forms of expression, including textile art, painting, video and installation. With a focus on collective experiences and actions, his research is deeply rooted in the culture and symbols of his community, located near Lake Atitlan in Guatemala, a place full of ancestral customs where the Tz’utujil language predominates. The Maya see themselves as part of nature without hierarchies: people, stones, corn seeds, the lake, all have their place in their cosmovision. Pichillá’s unique poetics are anchored in this identity, expressed through weaving, painting, and the incorporation of sacred objects.
Recent solo exhibitions include: “Abuela Materna”, Galeria Memoria, Madrid, Spain (2025); “Daritev / The Offering”, International Graphic Arts Museum – MGLC, Ljubljana, Slovenia (2024); and “Knotting and Unknotting”, Galería Elvira Moreno, Bogotá, Colombia (2023).
Recent group exhibitions include: “Ensaio sobre a Terra”, Simões de Assis, São Paulo, SP, Brazil (2024); “Unravel: The Power and Politics of Textiles in Art”, Barbican Centre, London, UK (2023); “Myth Makers / HATCH Gallery”, Milan, Italy (2023); “Threads of The South”, The Institute for Studies on Latin American Art – ISLAA, New York, NY, USA; among others.
Pichillá is represented in prominent collections worldwide, including the Museo Reina Sofía (Spain), Tate Modern (London, UK), Denver Art Museum (USA), Museo MALBA (Buenos Aires, Argentina), Kadist Art Foundation (San Francisco, USA), IL POSTO (Chile), and the Banco Interamericano de Desarrollo (Washington, USA). His work is also featured in private and institutional collections such as Colección Quinto Lojo (Guatemala), Colección Banco de España (Spain), Space Collection (California, USA), Colección Luiz Chrysóstomo (Rio de Janeiro, Brazil), Colección Ernesto y Cecilia Poma (Miami, USA), Colección Instituto for Studies on Latin American Art ISLAA (New York, USA), and the D+C Family Collection (Miami, USA).
He is graduated from the Rafael Rodríguez Padilla National School of Fine Arts (1999-2003). He is also a member of the TEI-CA studio science and art research group , developing interdisciplinary study and research methods around contemporary art under the guidance of Roberto Cabrera (2001-2014). Pichillá was an artist in residency at La Nueva Fabrica, antigua Guatemala, in 2016.

Fogo Corredor features 20 artists from different generations and languages and marks the closing of the gallery’s 2025 program. Curated by Lucas Albuquerque, the exhibition presents artists represented by the gallery and guests from various regions of the country, including Guerreiro do Divino Amor, Rayana Rayo, Thiago Martins de Melo, among others.
In a provocative exhibition design, Fogo Corredor stems from reflections on popular stories and enchantments associated with fire. This includes the legend that gives the show its title: a supernatural being made of fire, part of popular beliefs in the North and Northeast of Brazil, whose narratives associate it with the souls of dead people who return to frighten, burn, or persecute their victims.







Collaborators: Yavheni De Leon and Jhonatan Yoc
Texts: Alexia Tala, Pablo José Ramírez, Cecilia Fajardo-Hill, Maria Jacinta Con, and Diego Padilla.
Translation and editing: Ileana Selejan, Fernando Feliu and Mayra Alarcón.
Design: Arde Proyectos and Bruutaal

Text: Raphael Fonseca








